Categories
All East Asia

Samurai Banner from Japan

Samurai banner (sashimono) (detail), Japan, Momoyama period (1573-1615), 1568-1600. Silk; plain weave with tie-resist-dyed lozenge design; 89 x 40 cm. Cotsen Textile Traces Study Collection T-2366.

From 1185 to 1868, Japan was ruled by “shoguns” — military leaders appointed by the emperor — and feudal lords called “daimyo,” who owned large tracts of ancestral land. Daimyo were required to maintain residences in Edo (Tokyo) near the shogun’s palace, traveling annually to and from their estates under the protection of their samurai military retainers.

During travel and in battle, hundreds of samurai in each company displayed small banners, or “sashimono,” to identify their allegiance and impress adversaries. The banners were marked with their daimyo’s clan emblem and were worn attached to the back of a samurai’s armor. A senior samurai was tasked with ensuring all banners, standards and devices were properly displayed.

Photo by Bruce M. White Photography.

The emblem on this 16th-century banner belongs to the powerful Ogasawara clan, who were influential in the development of martial arts and tea ceremony etiquette. The motif is a stacked lozenge form known as “mitsubishi” or “sangaibishi,” which literally means “three water chestnuts.” 
 
The banner was hand woven from silk in the standard width for Japanese textiles — 40 centimeters or nearly 16 inches. It was skillfully dyed using a complex tie-resist technique and may have originally been a bold red (dyed with safflower) and gradually faded to orange. Hundreds of years after its creation, needle and thread marks from the process remain visible.

Drawing of a man in elaborate samurai clothing holding swords and a severed head
Utagawa Kuniyoshi (Japanese, 1797-1861), “Onikojima Yataro Kazutada” from the series “Six Selected Heroes (Eiyu rokkasen),” published by Hayashiya Shogoro, Japan, 1853. Museum of Fine Arts Boston 11.38062. William Sturgis Bigelow Collection. Kazutada is shown from the back, holding a severed head in one hand and a spear in the other. The sashimono pole is slotted into a tube on his armor.
Researched by Marcy Wasilewski

Marcy Wasilewski grew up surrounded by textiles in a family of tailors. She has a master’s degree in museum education from the George Washington University. Her early museum career was followed by a long career in healthcare administration. She returned to the museum world as a docent in 2014.