The mountain kingdom of Bhutan, nestled on the southern slopes of the Eastern Himalayas, is a land of breathtaking scenery, dominated by forests, towering peaks and lush green valleys.
Buddhism shapes all aspects of life in Bhutan, influencing not only beliefs and daily practices but also artistic expression, especially in textile art. This vibrantly colored throne cover, or “thrikheb,” embodies this influence and the close relationship between religion and the monarchy.
When draped over the king’s throne during important ceremonies, the thrikheb symbolizes his leadership and responsibility to his people. Placed atop the temple cushion of high lamas, it signifies their spiritual authority. In private homes, the thrikheb is valued for its beauty and craftsmanship.
The decorative motifs on this example were carefully appliquéd by male Bhutanese artisans. At the center, the Dharmachakra — the eight-spoked wheel representing the Buddha and his teachings — appears on a red background, a color associated with power and compassion. The swirling, interconnected blades of the multicolored “gankyll,” or “wheel of joy,” symbolize the universe and the cyclical nature of life. Surrounding the Dharmachakra are lotus blossoms, evoking full enlightenment, and phoenixes, representing the Buddha’s awakening, along with other motifs that reflect Buddhist concepts and ideals.
Researched by Linda Yangas
Linda Yangas has been a docent at the museum since 2007. She has lived and worked in the Philippines, Korea and Mexico, and is currently involved with the League of Women Voters, the Asian American Forum and Tanghalang Pilipino in and around Washington, D.C.