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All Southeast Asia

Ceremonial Textile from Bali

Ceremonial textile (lamak) (detail); Indonesia, Bali; early 20th century. Silk, metallic thread; supplementary weft weave; 68 x 16 cm. Cotsen Textile Traces Study Collection T-0822.

The tiny island of Bali is known for its lush rice terraces, rugged mountains and scenic coastline with coral reefs. It is also home to nearly 20,000 temples, including thousands of Hindu “pura.” Bali is the only island in the Indonesian archipelago where Hinduism is the majority religion, and sacred rituals are an integral part of daily life.

Textiles have played an important role in Balinese Hindu ceremonies for hundreds of years. Long banners called “lamak” are hung vertically at the entrance of a temple or draped on an altar as a base cloth to hold offerings given by local devotees.

A long vertical textile with a tan border and purple middle. There six tall, embroidered goddess figures.
Photo by Bruce M. White Photography.

This early 20th-century lamak features six repeating images of Dewi Sri, the revered goddess of rice, fertility and abundance. With rice as the island’s single most important food crop, Balinese farmers practice special religious ceremonies to invoke the goddess’ blessing before planting and to give thanks after the harvest. 

The goddess is depicted in a feminine form with a triangular skirt, an hourglass-shaped waist and diamond motifs. Her outstretched palm offers a blessing. The weaver’s use of purple for the textile’s ground was likely an aesthetic choice without religious significance.

Effigies of Dewi Sri are still used in worship today and can be found throughout Bali in the form of stone statues or dolls crafted from palm leaves. Carefully woven lamak remain one of the most sacred representations of the goddess and a bridge to the spiritual realm.

A tan figurine doll with an elaborate headdress.
Doll representing the rice goddess Dewi Sri, Bali, before 1937. Tropenmuseum TM-1100-20.
Researched by Pamela Kaplan

Pamela Kaplan has been a docent with the museum since 2016 after retiring from IBM Corporation. She is a graduate of GW’s Corcoran School of the Arts and Design with a master’s degree in new media photojournalism. Her long-term project and passion is “Silk Stories,” a behind-the-scenes view into silk production and the changing lives of textile producers around the world.